Add Row

Add Element

update

London's Broadway Buzz

update

Add Element

Home
Categories

May 06.2025

2 Minutes Read

Get Ready for The Book of Mormon and More at Broadway in Charleston 2025-26!

Name: The Voices of Broadway Show Choir
Address: 1795 Avon Dr, Belmont, ON, 00000
Telephone: +12262711213

Broadway in Charleston 2025–26 Season: 'The Book of Mormon' poster with golden accents.

Exciting Broadway Lineup Announced for Charleston's 2025–26 Season

Broadway lovers in West Virginia are in for a treat! The upcoming season at the Clay Center for the Arts & Sciences in downtown Charleston promises an eclectic mix of musicals that cater to all tastes. Kicking off with the hilarious and groundbreaking The Book of Mormon on September 24, 2025, the season is set to dazzle audiences with humor, heart, and unforgettable performances.

A Diverse Selection to Entertain Every Audience

Each production embodies a unique theme and style, from the laugh-out-loud antics of Mrs. Doubtfire on October 15 to the heartwarming melodies of Dolly Parton’s Smoky Mountain Christmas Carol on December 3. Charleston residents will feel the festive cheer with a Southern twist, as Parton's music brings a nostalgic yet fresh perspective to the classic story.

A Glimpse into Magic and Whodunit

As the new year rolls in, theatergoers can look forward to Meredith Willson’s The Magic Man on April 1, 2026, which promises to blend charm and showmanship in an enchanting narrative. Following this magical experience, Broadway in Charleston will host the vibrant and uplifting Kinky Boots on May 4, where audiences will be taken on a journey of friendship and acceptance, highlighted by catchy tunes from Cyndi Lauper.

Wrap Up the Season with Laughter in Clue

The season will conclude with a hilarious take on the classic murder mystery, Clue, on June 5, 2026. Known for its quick-witted humor and surprise twists, this production is sure to provide a thrilling end to the season, promising plenty of laughs and entertainment for all.

Season Tickets Now Available!

For those eager to catch these fantastic shows, season ticket packages are currently on sale starting at just $285. Current subscribers can renew their seats, and newcomers can find more details and purchase tickets at TheClayCenter.org/Broadway. Make sure you grab your tickets early, as this season promises to be a hit!

As the excitement builds for Broadway in Charleston, it’s a great time for theater enthusiasts to plan their attendance. Whether you're a lifelong fan or a newcomer to the stage, this season's lineup offers something for everyone!

Backstage Access

1 Views

0 Comments

Write A Comment

Related Posts All Posts

05.09.2025

Explore 'Where You Belong' in MAYBE HAPPY ENDING: Behind the Scenes

Update Behind the Scenes of 'Where You Belong': A Sneak Peek The anticipation for the Tony-nominated musical Maybe Happy Ending grows with the release of a new featurette, taking audiences behind the scenes of its captivating musical number "Where You Belong." Directed by Tony Award-winner Michael Arden, the video offers an intimate look at the creative processes behind a scene that resonates deeply with its themes of memory and connection. Visual Magic: Creating Oliver's Memory Scenic designer Dane Laffrey explains the importance of the lush forest backdrop, emphasizing that it creates a stark contrast to the more confined spaces where we meet the main characters. This deliberate setting aims to encapsulate Oliver's sentimental journey and showcase the emotional depth of his memories with his owner, James. The Heartfelt Story of 'Maybe Happy Ending' At the core of Maybe Happy Ending is Oliver, played by the talented Darren Criss, who embodies a retired HelperBot longing for connection. Set in a small one-room apartment on Seoul's fringes, Oliver leads a quiet life, caring for his potted plant and reminiscing about the life he once knew. The song "Where You Belong" is a pivotal moment for the character, as it reflects his desires and vulnerabilities. Inspirational Cast and Crew Bring Magic to Life Joining Criss in this innovative production is Helen J. Shen, whose character Claire ignites a friendship that blossoms into something more. The strong collaboration among the cast, including Steven Huynh and Daniel May, and the creative team has contributed to the musical’s acclaim — it has garnered ten Tony nominations, revealing its impact on audiences. Universal Themes and Global Appeal With its bilingual performances, Maybe Happy Ending transcends cultural barriers, initially debuting in Korean in Seoul, where it won multiple awards, before making its mark in the U.S. This international appeal is solidified with the show's themes of love, friendship, and the melancholy of memory, resonating with viewers from different backgrounds. Future Insights: What Lies Ahead? As the musical continues to perform and gain recognition, one can only imagine the future projects it may inspire. The artistic direction taken by Arden and Laffrey sets a new standard for modern musicals, blending rich storytelling with immersive design—elements that could shape the trajectory for upcoming productions on Broadway. This behind-the-scenes glimpse invites fans to witness the care and creativity that fuel Maybe Happy Ending, ensuring it remains a must-see performance in the theatre landscape. Be sure to catch the full featurette to immerse yourself further into this enchanting world.

05.08.2025

Les Misérables Cast Members Boycott Trump's Kennedy Center Appearance: An Artistic Protest

Update Cast Members of Les Misérables Take a Stand Against Trump's Appearance In a powerful display of dissent, at least ten to twelve cast members are expected to boycott the June 11 performance of Les Misérables during President Donald Trump's attendance at the Kennedy Center. This decision marks a significant moment not only in the world of theater but also in the ongoing conversation about political engagement within the arts. The Context Behind the Boycott The boycott reflects long-standing tensions between the performing arts community and the new leadership at the Kennedy Center, which many view as aligned with Trump’s administration. After assuming directorship at the Center, Trump replaced several appointees from previous Democratic administrations, prompting criticism from artists and producers alike. Notably, former appointees faced backlash when Trump appointed Richard Grenell—a controversial figure within diplomatic circles—as the Center’s director. Since these shifts, the Kennedy Center has seen a mass exodus of prominent artists who are openly expressing their disagreement with the current direction. Historical Context of Political Actions in the Arts Boycotts and art have a rich historical context in the fight for social justice and political change. The arts have consistently served as a platform for highlighting social issues and dissent. This recent event is reminiscent of past protests against political figures using cultural platforms for their own agendas. Previous performers, like those involved in the Hamilton controversy, set a precedent that artists have the power to challenge political narratives through collective action. Impact on the Kennedy Center and the Theatre Community The ramifications of this boycott extend beyond just the Les Misérables performance. The Kennedy Center's credibility and relationship with prominent figures in the arts community are now in jeopardy. Reports indicate that several scheduled performances have been canceled or withdrawn due to these ongoing tensions, underscoring the potential long-term effects this administration might have on cultural institutions. What This Means for Future Performances With Trump attending, the June 11 performance is set to proceed with a modified cast, raising questions about how many members will participate against a backdrop of protest. It invites speculation on how such actions may influence attendance and the public's perception of performances at the Kennedy Center. Public Reaction and Artist Responsibilities The decision to sit out the performance has sparked considerable discussion within social media and across public forums. Artists like Issa Rae and Shonda Rhimes, among others who cut ties with the Kennedy Center, demonstrate a growing sentiment where celebrities feel a responsibility to take a stand against political ideologies that conflict with their artistic values. This evolution in artistic responsibility may inspire future artists to envision their platforms as vital tools for activism. In a climate where political attitudes can heavily influence the reception and success of artistic endeavors, the response from the Les Misérables cast highlights a pivotal moment in theater that resonates with many audiences. By refusing to perform for a president whose policies they disagree with, artists reaffirm the idea that the arts are not merely entertainment but a crucial element in the civic discourse.

05.07.2025

Trump's $257 Million Proposal for Kennedy Center: What It Means for Arts Funding

Update Why Does the Kennedy Center Matter? A Look at Its Cultural Significance The Kennedy Center for the Performing Arts stands as a national treasure, representing not only the artistic expressions of the country but also a symbol of cultural unity. As Trump's proposal for a $257 million funding boost emerges amid proposed cuts to vital cultural agencies, the importance of this institution becomes even more apparent. Known for hosting notable performances and events that celebrate various art forms, the Center plays a pivotal role in American arts and culture. Examining the Funding: Is It Justifiable? The proposed funding includes $242 million designated for repairs and restoration of the Center’s infrastructure, along with additional funds for security and administration. Critics, however, question whether such a significant investment is warranted, especially as the National Endowment for the Arts faces funding cuts. The contrasting priorities have stirred a heated debate on the direction of cultural investment in America. Political Implications: What’s Beneath the Surface? The timing of this funding proposal raises eyebrows, particularly as Trump transitions to a leadership role at the Kennedy Center. Representative Chellie Pingree voiced concerns about the potential politicization of the funding, suggesting it might be more about loyalty than genuine support for the arts. The question of transparency becomes vital; a detailed breakdown of how the funds will be utilized could either alleviate fears or further fuel skepticism. Alternatives to Cuts: The Bigger Picture Calls to eliminate the National Endowment for the Arts are part of a broader narrative that affects artists and communities nationwide. While a financial injection into the Kennedy Center appears to bolster one area of the arts, it simultaneously diminishes support for a spectrum of artists reliant on federal funding. Exploring alternatives that maintain funding across various arts initiatives could benefit a broader demographic. The Future of the Arts in America As the dilemma of funding emerges, the future of arts in America remains uncertain. The potential elimination of the NEA and significant investments into singular institutions like the Kennedy Center signal a shift in priorities. Advocates for the arts must rally to protect a holistic approach to cultural funding, ensuring diverse forms of artistic expression are preserved. The debate surrounding the Kennedy Center funding is emblematic of a larger discourse on the value of art in society. As discussions continue, it is essential to consider how cultural funding can best serve artists and audiences alike, creating a more vibrant and inclusive arts community.

Add Row

Add Element

update

London's Broadway Buzz

update

This media channel covers the London Musical Theatre scene as well as the larger Broadway Musical focus

Add Element

COMPANY

Privacy Policy
Terms of Use
Advertise
Contact Us
Menu 5
Menu 6

Add Element

+12262711213

AVAILABLE FROM 8AM - 5PM

The Voices of Broadway

1795 Avon Dr, Belmont, ON

Add Element

ABOUT US

London's Broadway Buzz is owned by The Voices of Broadway Show Choir,

Add Element

{"company":"The Voices of Broadway Show Choir","address":"1795 Avon Dr","city":"Belmont","state":"ON","zip":"00000","email":"marketing@thevoicesofbroadway.com","tos":"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","privacy":"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"}

Get Ready for The Book of Mormon and More at Broadway in Charleston 2025-26!

Exciting Broadway Lineup Announced for Charleston's 2025–26 Season

A Diverse Selection to Entertain Every Audience

A Glimpse into Magic and Whodunit

Wrap Up the Season with Laughter in Clue

Season Tickets Now Available!

COMPANY

+12262711213

AVAILABLE FROM 8AM - 5PM

The Voices of Broadway

1795 Avon Dr, Belmont, ON

ABOUT US

Terms of Service

Privacy Policy

Core Modal Title