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February 27.2025
2 Minutes Read

Why Director Bong Joon Ho Says He Could Never Make a Musical

Bong Joon Ho musical discussion on a talk show set

Bong Joon Ho's Musical Movie Dream: A Unique Perspective

Acclaimed director Bong Joon Ho, known for his masterful storytelling in films like Parasite and the upcoming Mickey 17, has expressed his thoughts on creating a musical. Despite his admiration for the genre, Bong believes he could never realistically produce one, citing a key hurdle: his aversion to moments in musicals when characters abruptly burst into song. This sentiment was shared during his recent appearance on The Late Show with Stephen Colbert.

"I can't stand the minute they start to sing," he confessed, evoking laughter from the audience. His quip highlights a common sentiment among some filmgoers who might feel awkward with the sudden shifts into singing that musicals often present. Bong elaborated with a humorous take, referencing the iconic number from West Side Story and suggesting that the transition from everyday dialogue to song often feels unnatural.

Embracing a New Type of Musical

While Bong may shy away from traditional musicals, he has previously hinted at reimagining the genre. In an earlier interview, he mused about a possible future project where characters would begin singing, only to stop in embarrassment, portraying a self-aware critique of the musical format. "I would love to make a musical where characters say, ‘Oh my God, fuck this, this is too cheesy,’ and abruptly halt their performance," he proposed, emphasizing the need for a fresh take on a beloved genre.

Excitement for Mickey 17 and Musical Aspirations

Bong's upcoming film, Mickey 17, starring Robert Pattinson, represents another step into inventive storytelling. The film follows an unlucky protagonist facing extraordinary challenges before being forced to take the ultimate leap—dying for his job. With his signature blend of humor and deeper themes, Bong continues to craft narratives that capture audiences' imaginations while also reflecting on their absurdities.

His fascination with other genres, particularly horror and sci-fi, has always allowed him to blend elements that challenge viewer expectations. As he gears up for the theatrical release of Mickey 17 on March 7, 2025, fans of Bong Joon Ho eagerly await how he would tackle yet another genre challenge—this time, with a potential twist on the musical form.

Conclusion: Why Bong's Take on Musicals Matters

Bong Joon Ho's reluctance and innovative ideas regarding musicals reflect an important conversation in the film industry about genre expectations. Musicals have historically had their own set of rules, but as directors like Bong push boundaries, it's clear that the future may hold unexpected twists. Whether he delves into a traditional musical format or creates a hybrid version where characters humorously reject the genre, audiences are always eager for his next unique vision.

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Broadway Grosses This Week: MAMMA MIA! Rises as a New Hit!

Update MAMMA MIA! Shakes Up Broadway's Grosses The lights are shining brighter than ever on Broadway as MAMMA MIA! launched its much-anticipated revival at the Winter Garden Theatre, concluding the week ending August 17, 2025, with a staggering $1.6 million in grosses. This placed the show in the top five highest-grossing productions of the week, showcasing its powerful re-entry into the hearts of theatre-goers. Capacity and Attendance Fluctuations With 29 shows playing this past week, Broadway saw a total of 245,807 tickets sold and combined grosses amounting to $29,790,665. This week, attendance dipped by 2.31% compared to last week, sparking discussions among producers, artists, and fans regarding the overall health of the theatre scene. While MAMMA MIA! enjoyed modest attendance growth (up 0.3%), the departure of GYPSY led to a general surge in capacities among other productions. Shifts in the Top and Bottom Grossing Shows The ultimate leaders of the pack remain HAMILTON and WICKED, pulling in $2.2 million and $2 million, respectively. Meanwhile, GYPSY concluded its run this week, and though it was highly regarded, it still faced a decline leading to its closure, contributing to only $1.6 million in gross for its final week. The shift in dynamics raises the question: will these veteran shows maintain their dominance against the ever-changing landscape of Broadway? Insights on Ticket Pricing and Market Trends The average ticket price on Broadway hovered at $121.20, a slight decrease from the week prior. This number underscores the delicate balance between pricing strategy and audience engagement, as theatre enthusiasts weigh their options against a multitude of performances vying for attention. The most expensive show to secure a spot on Broadway was JUST IN TIME, averaging ticket sales of $227.49. The Emotional Connection to Theater The fluctuating grosses may seem merely numbers on a page, but behind those figures lie the stories of lives transformed through unforgettable experiences. Each show, from MAMMA MIA! to the newly launched JEFF ROSS: TAKE A BANANA FOR THE RIDE, is a chapter in a larger narrative that resonates with audiences. As Broadway continues to adapt and evolve, the connection to these productions often transcends ticket sales, hinting at a cultural and emotional anchor amid a sea of entertainment options. As the curtain closes on another week, Broadway remains not only a platform for incredible storytelling but a reflection of the collective sentiments of its audience. The surge of MAMMA MIA! combined with the farewell of GYPSY serves as a reminder of the dynamic nature of theatrical production where victory and closure intermingle.

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