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July 18.2025
2 Minutes Read

Unlock the Magic of EVITA at The Muny: First Look at Katerina McCrimmon

Katerina McCrimmon Evita at The Muny, elegant pose.

Experience the Power of Evita: A New Curtain Rises at The Muny

The Muny in St. Louis is set to dazzle audiences with the iconic musical Evita, featuring the talented Katerina McCrimmon as Eva Perón. This production marks McCrimmon's debut at The Muny, and she steps into the lead role with a strong background as a star in the Funny Girl tour. The show runs from July 18 to July 24, inviting both loyal fans and newcomers of musical theater to revel in the magic of this celebrated story.

Meet the Dynamic Cast Bringing Evita to Life

Joining McCrimmon on stage are an impressive roster of performers, including Paulo Szot as Juan Perón and Omar Lopez-Cepero as Che, showcasing a blend of experience and fresh talent. The ensemble cast, which includes Sabrina Santana as Perón's Mistress and a diverse crew of supporting actors, promises to deliver a captivating performance that resonates deeply with the show's themes of ambition and social change.

The Vision Behind the Production Team

The creative forces shaping this extraordinary revival are equally compelling. Director and choreographer Josh Rhodes leads a skilled team that includes Lee Wilkins as associate director and Ben Whiteley serving as music director. Each member brings a wealth of experience, guaranteeing that this production of Evita will not only shine aesthetically but also connect emotionally with the audience.

Behind the Scenes: Craftsmanship and Expertise

The design elements of Evita play a crucial role in immersing viewers in the world of 20th-century Argentina. The scenic design by Adam Koch, complemented by dramatic lighting from Paige Seber, will bring to life the vibrant of passionate stories of Eva Perón's rise to power. Sound designers John Shivers and David Patridge enhance the production with synchronized audio that captures every note, and video designer Steven Royal adds a modern touch to the visual experience.

Why Evita Remains a Timeless Classic

Evita is more than just a musical; it’s a powerful commentary on ambition, passion, and the complexity of a historical figure who continues to spark debate. Set against the backdrop of political turmoil and the pursuit of fame, the show inspires discussions about leadership, sacrifice, and what it means to truly connect with the people. Audiences can expect to examine not only Eva's striving for glory but also the social ramifications of her journey.

This summer, make your way to The Muny for an unforgettable theatrical experience. Whether you’re an ardent fan of Evita or discovering its narrative for the first time, there's something in this production for everyone. Dive into the music, the emotion, and the stories that define us.

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07.17.2025

Final Curtain Call for Audra McDonald’s Gypsy: A Broadway Legacy Ends

Update Gypsy Marks the End of an Iconic Run on Broadway The curtain will soon fall on one of Broadway's beloved productions as Audra McDonald-led Gypsy prepares for its final performance, which is set for August 17, 2025. Directed by the acclaimed George C. Wolfe, this vibrant revival has encapsulated the hearts of audiences since its premiere on December 19, 2024, at the newly renovated Majestic Theatre in New York City. A Star-Studded Cast Takes Center Stage Featuring a powerhouse cast led by six-time Tony Award winner Audra McDonald in the role of Mama Rose, the production also encompasses the talents of Danny Burstein as Herbie, Joy Woods as Louise, and Lesli Margherita portraying Tessie Tura. This diverse ensemble has creatively brought to life the complex relationships and aspirations that drive the show's narrative. The Musical's Rich Legacy and Impact Based on the memoirs of Gypsy Rose Lee, Gypsy provides a profound exploration of the ambitious journey of mothers and daughters striving for success in a competitive world. The show features a classic book by Arthur Laurents, with music by Jule Styne and lyrics by Stephen Sondheim. Its engaging story and exhilarating score have cemented its status as a quintessential Broadway piece, making it a testament to the American dream. Anecdotes from the Show's Journey Throughout its 269 performances, Gypsy has evoked powerful emotional responses from audiences. Critics have praised the production for its dazzling choreography by Camille A. Brown and stunning scenic designs by Santo Loquasto. The memorable music and rich orchestration brought the timeless music to life, weaving a tapestry of emotion and joy throughout the theatre. Future of Broadway After the Curtain Falls As Gypsy prepares to exit the stage, it raises questions about the future of Broadway as it continues to evolve. This era of vibrant storytelling and artistic expression holds a promise of new works that will captivate audiences and showcase the depth of talent in the theatrical community. What Fans Can Take Away For fans of live theatre, the closing of Gypsy serves as a poignant reminder of the power of storytelling in the form of musical theatre. It symbolizes the often turbulent journey of pursuit and ambition, as well as the bonds that families share. Ensuring that we celebrate and support this art form will help keep its spirit alive. Although the final performance date signals an end to this particular chapter of Broadway, it also illuminates the path forward for future generations of performers, directors, and fans alike. Don't miss the chance to witness this historic production before the final bow!

07.16.2025

The New York Times Arts Desk Shakeup: What it Means for Theatre Criticism

Update Behind the Reorganization at The New York Times Arts Desk The New York Times recently announced significant changes within its arts desk, particularly with the reassignment of chief theatre critic Jesse Green. A seasoned journalist, Green has contributed greatly to theatre criticism since taking over the role in 2017 from Ben Brantley. However, as outlined in an internal memo, the Times is undergoing a strategic restructuring to adapt to the evolving cultural landscape. Emerging Needs in Arts Coverage The memo by culture editor Sia Michel emphasized the importance of diversifying perspectives in the paper's arts coverage. In a media environment dominated by rapid shifts in audience preferences and content consumption, traditional reviews are becoming less effective. Readers are not just looking for critiques but also desire in-depth essays and innovative formats that resonate with their personal experiences of art. Jesse Green's Legacy and Future Impact Green’s departure marks the end of an era, but it also opens the door for new voices in the theatre community. His insights shaped many discussions surrounding contemporary theatre, and those who followed his work praised his thoughtful analysis. As the Times embarks on finding a new chief theatre critic, it raises questions about what the future of theatre criticism will look like in a time when the industry faces unique challenges head-on. Challenges Facing Legacy Institutions The arts world is at a crossroads, with legacy institutions like The New York Times grappling with how to stay relevant. The internet has fragmented audience attention, pushing organizations to rethink how they present arts and culture. As noted in the internal memo, there is a growing need for trusted guides to help audiences navigate this complicated landscape—a task that will require innovative thinking from upcoming critics in the newly filled positions. The Search for New Talent and Perspectives In addition to Green, other prominent critics—including television critic Margaret Lyons and classical music critic Zachary Woolfe—are also being reassigned. This shake-up prompts an exciting search for fresh talent that can capture the zeitgeist of today’s arts scene. The inquiry for new voices can bring untold stories and perspectives that resonate deeply with changing audiences. Conclusion: The Future of Arts Criticism The recent transition within The New York Times arts desk is just one reflection of the broader shifts occurring in the cultural landscape. As Jesse Green embarks on a new chapter and a search begins for his replacement, the paper has a unique opportunity to redefine how it engages with the arts community—ultimately positioning itself as a leading voice to help audiences understand and enjoy the complexity of contemporary arts.

07.15.2025

Springboard to Design: A Unique Experience for Aspiring Artists

Update Empowering Young Artists Through Design The recent Springboard to Design program at Lincoln Center exemplifies a transformative initiative aimed at empowering high school students from underrepresented communities through theatrical design. Taking place from July 7-11 at the newly inaugurated Harvey Fierstein Theatre Lab, this immersive experience was led by Tony Award-winning designers Clint Ramos and David Zinn. The goal? To ignite creativity in these aspiring artists by introducing them to the fundamentals of design in an encouraging and supportive environment. The Program's Unique Approach to Education Springboard to Design isn’t just about traditional lessons; it involves engaging, hands-on workshops that cover various aspects of design—from set and costume design to lighting and sound. In a “Four Corners” exercise, students rotated through different disciplines, fostering a comprehensive understanding of what it takes to create a theatrical production. This approach was pivotal to the week’s success, as Ramos noted, “We witnessed students step into their power, supported by a community of generous, visionary mentors.” Creating Connections and Advocating for Diversity The program also emphasized the importance of advocacy in the arts, with a panel discussion featuring industry leaders who shared their experiences navigating theatrical careers as people of color. This conversation not only shed light on the challenges faced but also served to inspire young artists to pursue their dreams unapologetically. Participants engaged in discussions about representation, ensuring they understood that their voices matter in shaping the future of theater. Experiential Learning: From Workshops to Broadway One of the standout elements of the program was the opportunity for students to attend actual Broadway productions. With show visits to acclaimed performances such as Maybe Happy Ending and The Great Gatsby, students enjoyed behind-the-scenes access that deepened their understanding of the craft. Touring venues like the Museum of Broadway offered invaluable insights into the rich history of theater, combining learning with real-life experiences. Breaking Barriers: Accessibility in the Arts Financial and logistical barriers can often deter passionate students from pursuing opportunities in the arts. Springboard to Design alleviated these challenges by covering all costs related to tuition, housing, and materials. This model ensures that passionate young designers can focus on creativity without the worry of financial stress—a critical consideration given the high costs typically associated with theater programs. The Future of Springboard to Design: A Promising Outlook With an emphasis on cultivating the next generation of artists, Springboard to Design reflects a broader movement within the industry to promote inclusivity and diversity. Ramos and Zinn are not only mentors but also champions for change, making a significant impact on the careers of aspiring designers. As they move forward, the hope is that similar programs will emerge, continuing to break down barriers and open doors for underrepresented voices in the arts. Conclusion: Celebrating Creativity and Diversity In conclusion, the Springboard to Design program is a beacon of hope for young artists eager to carve out their space within the theatrical landscape. By fostering creativity, bringing together diverse perspectives, and making the arts accessible to all, initiatives like this are paving the way toward a more inclusive future. If you are interested in discovering more about design and storytelling, keep an eye on upcoming initiatives that strive to celebrate diversity and creativity in the arts.

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